2020
"Summer Tracks" (group show)- Virtual exhibition, Programs Taide, 22nd June-6th September, Madrid
"Anti-Freeze"(group show) - Virtual exhibition, 25th May - 7th June
"Anti-Freeze"(group show) - Virtual exhibition, 25th May - 7th June
2019
"Ma Toile" (SOLO SHOW) - A Room Upstairs Gallery,20th Nov-20th Dec (UK, Ldn)PHOTOS
"Misbehaving Surfaces" (SOLO SHOW) - The Who Gallery, J.lindeberg showroom, 25th Sept-30th Oct (UK, Ldn) PHOTOS
"off grid" (group show) - Cookhouse Gallery, Mar 21st (UK,Ldn) PHOTOS
"MANON"(SOLO SHOW) - The Who Gallery, Not just another store, Mar 8th-Aprl 8th (UK,Ldn)PHOTOS
"13th Hour" (group show) - BSMT gallery, Feb 18t (UK) PHOTOS
"Wicked Game" (group show) - Cookhouse Gallery, Jan 24th - 25th (UK)
"Misbehaving Surfaces" (SOLO SHOW) - The Who Gallery, J.lindeberg showroom, 25th Sept-30th Oct (UK, Ldn) PHOTOS
"off grid" (group show) - Cookhouse Gallery, Mar 21st (UK,Ldn) PHOTOS
"MANON"(SOLO SHOW) - The Who Gallery, Not just another store, Mar 8th-Aprl 8th (UK,Ldn)PHOTOS
"13th Hour" (group show) - BSMT gallery, Feb 18t (UK) PHOTOS
"Wicked Game" (group show) - Cookhouse Gallery, Jan 24th - 25th (UK)
2018
"E Pluribus Unum"(group show) - Cookhouse Gallery, Dec 13th
"Obsessions"(group show) - Cookhouse Gallery, Nov 9th
Degree Show - Central Saint Martins, May 23rd - 27th
"Obsessions"(group show) - Cookhouse Gallery, Nov 9th
Degree Show - Central Saint Martins, May 23rd - 27th
2017
First Thursdays, Creative Debuts(group show) - Black & White Building
2016
First Thursdays, Creative Debuts(group show) - Black &White Building, Feb 4th - Mar 4th
180 Strand Street, offices -(Permanent Sale)
180 Strand Street, offices -(Permanent Sale)
PRESS and RESIDENCIES
PADA artist residency - 3rd - 29th August 2020
Art Plugged interview with Verity Babbs
Hector Campbell interview"Misbehaving Surfaces
PADA artist residency - 3rd - 29th August 2020
Art Plugged interview with Verity Babbs
Hector Campbell interview"Misbehaving Surfaces
ARTIST BIO:
Steyaert’s practice is predominantly based around the mediums of painting and sculpture, she aims to change the viewers perceived notions of each medium by bridging them close together, creating a blur or a sense of limbo between mediums, her paintings act as sculptures and sculptures as paintings. Using non-traditional materials, such as silicone, latex and cellophane, with painting, she is currently focused on pouring it herself, enabling her to be able to create a material from scratch to alter it from its beginning.
She uses brightly coloured layers to create a sort of interruption in the space where the work is shown, enticing the viewer to analyse the surface of the works and become confused on how their gaze is “stolen” away from them through curiosity. Wanting to originally work in Fashion, Steyaert finds inspiration from fabrics and their possibilities to create forms, relating this to the canvas on a stretcher and the relationship between form and structure, wanting to see her materials live on their own, standing on their own “feet” away from the canvas frame, Steyaert has been exploring this through the medium of instillation with larger silicone works.
Steyaert’s practice is predominantly based around the mediums of painting and sculpture, she aims to change the viewers perceived notions of each medium by bridging them close together, creating a blur or a sense of limbo between mediums, her paintings act as sculptures and sculptures as paintings. Using non-traditional materials, such as silicone, latex and cellophane, with painting, she is currently focused on pouring it herself, enabling her to be able to create a material from scratch to alter it from its beginning.
She uses brightly coloured layers to create a sort of interruption in the space where the work is shown, enticing the viewer to analyse the surface of the works and become confused on how their gaze is “stolen” away from them through curiosity. Wanting to originally work in Fashion, Steyaert finds inspiration from fabrics and their possibilities to create forms, relating this to the canvas on a stretcher and the relationship between form and structure, wanting to see her materials live on their own, standing on their own “feet” away from the canvas frame, Steyaert has been exploring this through the medium of instillation with larger silicone works.